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ART

PRO VLA

The PRO VLA comes in a 2U rack-mountable chassis housing two

independent channels of analog leveling/compression designed

to work seamlessly with any recording, sound-reinforcement, or

electronic instrument setup. Using a transformerless design

throughout, it maintains exceptional signal integrity and extremely low noise.

Its VCA-less design utilizes optical electronics (Vactrol) coupled with a 12AX7

vacuum tube gain stage for superior musical performance. This great sounding box

has stood up to many years on the music market and is extremely easy to operate.

JOEMEEK

MC2

The Mc2 is a professional studio-quality stereo compressor in a com-

pact half-rack format. Simple to use yet extremely powerful, the Mc2

will bring out the best in any line-level stereo material and give the

gloss of a professional studio to all your performances. This unit can

be used for recording, mastering, or live work and its small footprint

allow it to ﬁ t in tight workspaces or rack shelves. It will also function

as a stereo width processor and line level stereo preampliﬁ er.

BEHRINGER

Multicom Pro-XL MDX4600

The Behringer Multicom Pro-XL MDX4600

is a ﬂ exible, 4-channel compressor/limiter/

expander/noise gate. Its new and improved

“interactive” signal processing, ease of

use, and ultra-low noise circuitry make

the MDX4600 well-suited for live sound

reinforcement and PA applications.

ALESIS

3630

The 3630 provides two independent full-featured compressor/ limiters in one

rack space while offering excellent sonic quality for any application from studio

recording to live sound or broadcast. You can also choose between RMS and

Peak compression styles, plus Hard and Soft Knee dynamic curves for every

application from subtle gain control to in-your-face punch. As an independent

dual-channel compressor, the 3630 offers separate controls for two different

source signals with gating to easily and efﬁ ciently stiﬂ e unwanted ambient noise.

PRESONUS

COMP16

Based on the award winning BlueMax compressor design, the COMP16 is the

simplest professional quality compressor in the world. Sixteen presets have

been carefully tailored for a wide range of applications including vocals, percus-

sion, fretted instruments, keyboards, stereo program material and compression

effects. Simply select the preset and adjust the input and output to desired level

of compression. This is truly a great-sounding compressor that anyone can use.

• Two channel tube

compressor/limiter

• (2) XLR & 1/4” inputs and

(2) XLR & 1/4” outputs

#ARPROVLA

299

• VCA-less design provides smooth

musical performance

• Large backlit VU meters

• Ten segment gain reduction LED array

• Half-rack unit sized stereo compressor

• (2) 1/4” TRS inputs and (2) 1/4” TRS

outputs • Insert jack for accessing

the units control sidechain

• Stereo width control sweeps

from mono to extra-wide

• Gain Reduction Hold keeps noise

ﬂ oor constant between tracks

#JOMC2

229

• IKA (Interactive Knee Adaptation) Program-

Adaptive Compression

• IRC (Interactive Ratio Control) Expander/

Gate Circuitry

• IGC (Interactive Gain Control) Peak Limiting

• Stereo couple function for channels 1/2 and 3/4

• Switchable operating level (+4dBu/-10dBV)

• Servo-balanced 1/4” TRS/XLR I/O

# BEMDX4600

129

# AL3630

• Ratio, Threshold, Attack, Decay and output controls

• Hard and Soft Knee Compression response curves

• Stereo/Dual Mono Mode Link Switch • Two fully independent

Noise Gates • Dual channel compressor/limiter

• (2) 1/4” TS phone inputs and (2) 1/4” TS phone outputs

• Sidechain for keyeing or ducking effects • Features stereo

linkable operation • Easy to read 12 segment LED metering

• Easy to use single channel compressor

• (1) XLR & 1/4” input and (1) XLR & 1/4” output

• 16 presets cover a wide variety

of applications

• Back-lit VU for metering compression

• Great for guitars and basses

# PRC16

Compressors / Dynamics Processors

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